I wanted to say thanks to everybody who came out to Saturday’s Club Nevermore event—and thanks to Nevermore for having me! My set lists are below the cut.
We played some new post-punk, goth, and darkwave tracks in the first set. The second set went heavy on new industrial tracks. We followed that with a set of goth tracks. Then we played some synthpop songs. We played a set of post-punk tracks in the fifth block, then we finished the show with some psychedelic dirge and shoegaze tracks.
We started this show with some brand new tracks that debuted on the show. The rest of the show had a theme of summertime, beaches, etc., because Summer Solstice is coming up this Wednesday. We began with a set of goth and post-punk tracks, then there was a block of of industrial and synthwave tracks. That was followed with a set of noisy tracks, then we got experimental in the midnight block, and we wound things down with a set of shoegaze and ambient songs with a summer theme.
I wanted to say thanks to everyone who came out to Club Nevermore Saturday—and thanks to Club Nevermore for having me! My set lists from that night will be under the cut…
Half Machine Lip Moves will be off air this week. We’ll set up a replay for the usual time. We’ll be back next Sunday, June 18th, with a new show at the usual time and place, 10 PM-1 AM CT [11 PM-2 AM ET/8-11 PM PT/03:00-06:00 UTC] on KUHS-LP 102.5 FM Hot Springs and kuhsradio.org.
We started this show with some fresh new industrial, goth, and darkwave songs. Then we played a set of synthpop and minimal wave tracks, including some requested ones (thanks, Amanda!). We followed that with a set of goth, darkwave, and synthwave with a vague underlying summer theme. That was followed with some goth and darkwave tracks from around the world. The fifth block was a set of psychedelic-leaning post-punk, and we finished the show with a set of shoegaze tracks.
This is our 2023 World Goth Day Show, with an emphasis on world because we played goth, darkwave, post-punk, deathrock, etc. bands from all around the world, with an emphasis on lesser-known bands and a mix of recent and older tracks. Each block of the show featured bands/artists from a specific continent. (Sorry, but we left out Antarctica because we don’t know of any bands from there.) We started with Africa, then moved on to Asia, then Australia/New Zealand, and then Europe. The North American block consisted of tracks by bands/artists from Mexico, Central America, and the Caribbean. Then we wrapped up the show with a set of bands from South America.
I wanted to say thanks to everybody who came out to Club Nevermore: The Mad Hatter’s Ball on Saturday, and thanks to Club Nevermore for having me! My set lists are below the cut
We began this edition with some new goth, darkwave, and synthpunk tracks. That was followed by a set of industrial and EBM tracks. The third block was a set of industrialized techno. The fourth block was a set of mostly recent synthpop and darkwave songs. The fifth block got experimental, with some noise rock and kosmiche/krautrock-inspired songs. Then we wound things down with some shoegaze and ambient.