We began the episode with a two sets of tracks that were a mix of industrial, EBM, deathrock, and post-punk in response to the upcoming election. The next two hours were selections Operator OT picked for his sets in Club Nevermore’s Tracks & Treats event on Halloween night, which featured a mix of industrial, EBM, deathrock, post-punk, punk rock, and more.
Here’s our 2020 dark ambien(t) and atmospheric special. We began the show with a set of new dark ambient tracks, which was followed with a couple of block of dark ambient and atmospheric tracks. We played a set of morbid death industrial tracks at midnight, then we closed with a somewhat more soothing set.
We began this episode with a set relevant to our current situation. That was followed with a set of industrial tracks. We followed that with a set of tracks that make me (Operator OT) think of fall, but aren’t themed around or about the season. That was followed with a set of dark punk and deathrock tracks. We played a set of fairly recent darkwave tracks at midnight, and wrapped up with a set of shoegaze and ambient tracks.
(This show was intended to air on September 20, 2020 but due to some car issues it had to be postponed by a week.)
We started this show with some batch of sort-of timely industrial, post-punk, and hardcore punk tracks. That was followed with Operator OT’s sets from the Club Nevermore livestream on September 12, which were mixes of post-punk, goth, darkwave, and industrial. We followed that with a set of piping-hot industrial tracks. The last hour of the show was a mix of autumn-themed post-punk and ambient tracks in honor of fall equinox.
We started this one with a batch of new industrial and goth tracks. That was followed with a set of tracks themed around work, etc. in honor of Labor Day. Then we played a set of industrial, post-punk, and noise rock tracks about viruses, infections, etc. because we’re still in the grips of a global pandemic. That was followed with some synthpop tracks, including a mini-set of Soviet Russian synthpop/new wave that was a tribute to the late Oleg Parastaev of Al’yans and NRG. We went all-out for a set of power electronics at midnight, and we closed the show with a mix of shoegaze, experimental, and ambient.
We started this episode with a few tracks from (former) Yugoslavian post-punk bands, in honor of our friend and graphic designer Ipsy’s birthday who turned us on to them, and some tracks in honor of Dinah Cancer’s recent birthday. That was followed with a set of industrial tracks with no theme (nope, no theme at all). Then we played a set of mostly new industrial tracks. Then we played a set of post-punk tracks. That was followed by a set of tracks themed around storms and hurricanes, etc. And we closed the show with experimental and ambient tracks themed around rain, storms, etc.
We started this episode with new Zwaremachine and a set of tracks that had no theme—nope, no theme at all. The two sets after that were a mix of industrial, EBM, synthpop, darkwave, etc. that Operator OT played on the most recent Club Nevermore livestream. We followed that with a set of synthwave, a mix of old and new noise rock, and we closed with some requested Wolf Eyes and tracks by Wolf Eyes side projects.
We started this episode with a mix of industrial bangers, old and new. That was followed with a set of hard stompy EBM and aggrotech, etc. After that we played a set of synthpop, darkwave, and post-punk. That followed with a dark ambient set. We played a set of spacey psychedelic noise rock at midnight, and closed with a set of ambient tracks.
We started this show with a mix of industrial and post-punk tracks, then we jackhammered your ears with some industrial metal. We followed that with a set of post-punk tracks. We followed that with a set of minimal wave and synthpop. The fifth block was a mix of downtempo stuff and shoegaze, and we wrapped up the episode with a set of pretty and blissful ambient to help us deal with the horror of being alive in the year 2020.
We started this one with a mix of tracks about distance, etc.. Then there were our sets from the last Club Nevermore live stream, which was a tribute to MTV’s 120 Minutes, in which we played a mix of post-punk, industrial, new wave, etc. The fourth block was a set of industrial tracks with a theme I’m too scared to talk about. (Get it?) The fifth set was a blast of power electronics, then we cooled things off with a set of soothing ambient tracks.